Author: freelancewastrel

Square Saturday… Nottingham Canal with the Chroma Cameras Cube

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Nottingham Canal, August 2023
Nottingham Canal, August 2023
Chroma Cameras Cube, 30mm f/150 Pinhole + ND8 filter – 25s, f150, – Kentmere Pan 100
Developed in Ilford Ilfotec DD-X at 1:4, 10½ mins at 20°c.

An images from the first roll through a Chroma Cameras Cube pinhole camera… a roll that’s been in the camera since April last year!

The Cube will be the subject of a future blog post, it’s an interesting little beast.

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Throwback Thursday… Newark Air Museum

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Hunting Jet Provost T.3A XM383-20160817
Hunting Jet Provost T.3A XM383
Fujifilm X-T10, Fujinon XF 18-55mm f2.8~4 R LM OIS at 24.3mm, 1/60s, f5.6, ISO 800

What was I photographing on this day in previous years?

Seven years ago it was exhibits at the fantastic Newark Air Museum in Nottinghamshire.

The Hunting Jet Provost is a type of aircraft I saw regularly as a child, on training sorties from (I believe) Royal Air Force (RAF) Cranwell.

Vickers Varsity T.1 WF369-20160817
Vickers Varsity T.1 WF369
Fujifilm X-T10, Fujinon XF 18-55mm f2.8~4 R LM OIS at 25.4mm, 1/60s, f5.6, ISO 800

The Vickers Varsity (shown here with one of its Bristol Hercules 264 radial engines uncovered) was another type used in a training role by the RAF… I don’t recall ever seeing one fly though.

The Newark Air Museum is well worth a visit, with over 70 aircraft (or parts thereof) on display there’s plenty to interest both the enthusiast and the casual visitor.

Monochrome Monday… The Wave, The University of Sheffield (again!)

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The Wave, The University of SheffieldThe Wave, The University of Sheffield
Nikon F-801s, AF Nikkor 24-50mm f/3.3-4.5 at 24mm + Y48 filter, 1/30s, f11 – Fujifilm Neopan Across II
Developed in Ilford DD-X at 1:4, 9 mins at 20°c.

Another image of ‘The Wave’ today…

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Pylon Down… In colour!

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Pylon Down… In colour!
Pylon Down… In colour!
Seagull 4A, Haiou-31 75mm f/3.5 – 1/60s, f4 – Kodak Portra 160 rated at ISO 100

Yes it’s that pylon again! I think this is its first time in colour though…

I’ve recently started re-digitising some of my older negatives to take advantage of the Negative Lab Pro plug-in for Lightroom that’s now part of my workflow.

The original scan of this image was quite cold, not how I remember that particular evening’s light at all but Negative Lab Pro’s conversion is pretty much spot on!

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… The Wave, The University of Sheffield

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The Wave, The University of SheffieldThe Wave, The University of Sheffield
Nikon F-801s, AF Nikkor 24-50mm f/3.3-4.5 at 24mm + Y48 filter, 1/60s, f11 – Fujifilm Neopan Across II
Developed in Ilford DD-X at 1:4, 9 mins at 20°c.

Sheffield University’s new Social Science building ‘The Wave’ had only been open for a couple of weeks when I photographed it in May this year. The 16,600sqm structure was designed by HLM Architects and cost £65m but complaints have recently been made that the building traps too much heat in hot weather causing a potential health and safety hazard!

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… of Lomography Metropolis

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Trapped canTrapped can
Canon EOS 500N, Canon EF 35-80mm f/4-5.6 III at 80mm, 1/125s, f11, Lomography Metropolis rated at ISO 200

A few weeks ago I shot a roll of Lomography Metropolis film in a Canon EOS 500N that I found at a car boot sale (for a fiver, complete with EF 35-80mm f/4.5.6 lens!) back in June…

I didn’t know what to expect from either the film or the camera but quite like the muted tones of the former and the light weight of the latter!

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.