Salvage
Olympus OM-1N + F.Zuiko 50mm f/1.8 Auto-S – 1/250s, f5.6½ – Kodak Portra 400 rated at ISO 200
Scan by Ag Photo Lab with minimal cropping and tweaking in Lightroom Classic CC.
Photography & General Ramblings…
Salvage
Olympus OM-1N + F.Zuiko 50mm f/1.8 Auto-S – 1/250s, f5.6½ – Kodak Portra 400 rated at ISO 200
Scan by Ag Photo Lab with minimal cropping and tweaking in Lightroom Classic CC.
Crich Memorial Tower, April 2019
Fujifilm X-T10, thingyfy 11mm Pinhole Pro S, 0.7s, f79, ISO 200
Another image taken with my thingyfy Pinhole Pro S ‘lens’.
Last Sunday would have been my late father-in-law’s 99th birthday so Joy and I took some flowers up to Crich Stand, a memorial tower dedicated to the memory of the soldiers from the Sherwood Foresters Regiment who died in World War I and World War II* (Joy’s Dad lived to a ripe old age but spent World War II serving in North Africa and Italy with the regiment).
I thought I’d sneak a few minutes capturing a couple of images for Worldwide Pinhole Photography Day while I was there…
*The memorial is also dedicated to those who died serving in the Sherwood Foresters Regiment from 1945 to 1970, the Worcestershire and Sherwood Foresters Regiment from 1970 to 2007 and the Mercian Regiment since 2007.
Mural depicting St Mungo, Glasgow, April 2019
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 28mm, 1/350s, f8, ISO 400
Last Saturday saw four people undertake a madcap 550 mile round trip to Glasgow so that one of them (hi Mark!) could go to a football match.
Mark’s wife (and my regular ‘Photography Friday’ partner in crime, Rachel), my wife, Joy, and myself had a few hours to explore the city (and have a wee drink or two) but we were all keen to see as much of the city’s Mural Trail as possible.
The above image is of the first mural we found… Painted by Australian artist ‘Smug’ (Sam Bates) in 2016 it depicts St Mungo, Glasgow’s patron saint.
Btw, Rachel’s image of the mural is currently gracing the BBC’s ‘Your pictures of Scotland‘ page!
Knife Angel, Coventry
Fujica GW690 – 1/500s, f11, – Ilford Delta 400 Professional
One more image from my recent visit to Coventry to see the National Monument Against Violence and Aggression, more commonly known as the ‘Knife Angel’.
Yet another shot from the Fujica GW 690 camera that I’ve got on loan…
Epson 4870 Photo scan with minimal cropping and tweaking in Lightroom Classic CC.
Cathédrale Notre-Dame de Paris, September 2000
Nikon F90X Pro, Sigma 28~200mm f/3.8-5.6 DL Macro – Ilford Delta 400 rated at ISO 320
Clyde Puffer ‘BASUTO’
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 34mm, 1/125s, f8, ISO 400
Fountains Abbey, May 1998
Contax G1, Carl Zeiss 45mm f/2 Planar T* + #29 red filter, – Ilford SFX 200 rated at ISO 400.
Developed in Fotospeed FD30 at 1:9, 11½ mins at 20°c.
Something from the archives today…
Fountains Abbey near Ripon in North Yorkshire was founded in 1132 and became one of the wealthiest monasteries in England until its dissolution in 1539 under the order of Henry VIII.
Now a Grade I listed building, the abbey is owned by the National Trust.
Ilford SFX 200 is a film I really should shoot again, I rather like its effects…
Nikon COOLSCAN IV ED scan with minimal cropping and tweaking in Lightroom Classic CC.
West Pier, Brighton, December 2018
Fujica GW690 – 1/125s, f16, – Rollei RPX 400 rated at ISO 800
I’ve taken a few photos of Brighton’s West Pier over the years but this is one of my favourites, taken while beachcombing with the younger of my two Godsons…
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
The Shambles, York, December 2018
Fujica GW690 – 1/30s, f3.5, – CineStill 800T
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
No.4, No.5
Fujifilm X-T1, Fujinon XF 35mm f2 R WR, 1/60s, f5, ISO 400
I’m having trouble sleeping tonight so rummaging through some images from a couple of years ago that haven’t yet seen the light of day…
This shot comes from a bitterly cold walk around the East Sussex town of Lewes in February 2017, I just liked the soft colours and the regimented shapes of these two doors.
Although the door numbers here are a very similar style I’ve often wondered about photographing all the different ways in which house numbers are displayed, ancient and modern, simple or elaborate…
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