Square Saturday… Waves, Sheffield

Waves, SheffieldWaves, Sheffield
Mamiya C330, Mamiya-Sekor 80mm f/2.8 – 1/250s, f11, – O.O.D. Fuji Provia RDP II 100

An image from Expired Film Day 2022.

A few months ago a pal (Hi Simon!) gave me a quantity of Fuji Provia RDP II 100 and Velvia RVP 50 slide film that had all expired in 1997 or 1998. A bit of research suggested exposing it at box speed and cross my fingers for reasonable results.

The original slides have a colour cast and are a little underexposed but nothing a little tweak in Lightroom couldn’t sort out!

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr with minimal cropping and tweaking in Lightroom Classic CC.

Throwback Thursday… Bridlington

Bridlington, March 2017Bridlington, March 2017
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 41mm, 1/1000s, f8, ISO 400

What was I photographing on this day in previous years?

Five years ago it was the seaside town of Bridlington in Yorkshire.

It’s a town I never get bored with visiting and I’m hoping to visit again in June for Race the Waves ’22

Bridlington Harbour, March 2017Bridlington Harbour, March 2017
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 52mm, 1/250s, f8, ISO 400

Slide Film Sunday… The Upper Room by Colin Wilbourn

The Upper Room by Colin Wilbourn-20000226The Upper Room by Colin Wilbourn
Nikon F90X Pro, Sigma 28~200mm f/3.8-5.6 DL Macro – Fujichrome

A couple of weeks ago I posted an image of Colin Wilbourn’s Stone Stair Carpet here and when browsing the artist’s website I discovered I’d photographed another of his creations in Durham back in February 2000.

The Upper Room was created from 13 elm trunks, arranged on the bank of the River Wear where they had grown. From most viewpoints they made little sense but at one end of the ‘grove’ there was a seat in a hollowed out trunk and from this seat the image of the empty room, complete with the remains of the meal that had taken place there became visible.

Eventually the wood deteriorated and the sculpture was dismantled…

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.