Monochrome Monday… Trent Lock

Barges on the Cranfleet Canal, February 2018Barges on the Cranfleet Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

Trent Lock is a major canal navigation junction on the borders of Derbyshire, Leicestershire and Nottinghamshire, south of Long Eaton. Here the 11½ mile Erewash Canal from Langle Mill and the River Soar meet the River Trent. The Cranfleet Canal (or ‘Cut’) allows boats to access the Trent heading downstream/east (avoiding a weir) and boats heading upstream/west soon arrive at the beginning of the Trent & Mersey Canal at Derwent Mouth, the point at which the River Derwent flows into the Trent.

Trinity, Erewash Canal, February 2018Trinity, Erewash Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

The area is still home to a couple of boatyards and a dry dock facility is available on the Erewash Canal immediately north of lock no.60 (the last lock before the River Trent). Visitors can also enjoy the Lock House Tea Rooms and the Trent Lock and Steamboat Inn public houses… (the food and beer in the latter being particularly good!)

Erewash Canal, February 2018Erewash Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

Scans by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… The Gallery Café, January 2018

The Gallery Café, January 2018The Gallery Café, January 2018
Pentax MZ-30 + SMC-A 28mm f/2.8 – 1/45s, f4, – Kodak T400CN

One of my projects for 2018 is to become more comfortable with street photography, a genre I’ve never had much success with (one of many if truth be told…)

This is one of my recent attempts, taken in the Millennium Gallery in Sheffield during a trip to view the exhibition of images from last year’s Photo Marathon Sheffield.

With hindsight a camera with a waist-level viewfinder might be a better bet for future attempts… less obvious than holding an SLR to the eye.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Turntable

Turntable, February 2018Turntable, February 2018
Pentax MZ-30 + 35-80mm f/4~5.6 FA at 35mm – 1/180s, f8, – Kodak T400CN

Another shot from the Midland Railway-Butterley in Derbyshire, this time taken on my last roll of the much missed Kodak T400CN film.

The turntable was used to turn steam locomotives at Chinley railway station (also in Derbyshire) and is a 60ft diameter, hand-operated type built by the Midland Railway. It was dismantled in 1973 and stored for a number of years before arriving at the MR-B’s Swanwick Junction site in 1981. Sadly, 37 years later it is still awaiting reconstruction…

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Tin Tabernacle, February 2018

Tin Tabernacle, February 2018Tin Tabernacle, February 2018
Canon Sure Shot Sleek, – Kentmere 400

A shot from my first roll of Kentmere 400 film, one of three that was a Christmas present from my wife, the Canon Sure Shot Sleek was yet another charity shop find.

St Saviour’s Church dates from 1898 and was originally built with support from the Midland Railway in Westhouses, Derbyshire, a village that grew up around the company’s locomotive shed there.

Now relocated to Swanwick Junction station at the Midland Railway-Butterley in Derbyshire, the ‘Tin Tabernacle’ is now used for various events including the occasional wedding blessing.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Birmingham reflection, December 2017

Birmingham reflection, December 2017Birmingham reflection, December 2017
Nikon FM, Nikkor 50mm f/2 – 1/60s, f5.6, – Ilford FP4+

Another image from the roll I shot in December for Emulsive’s FP4 Party but that didn’t return from the lab in time for post week.

I was changing trains (and stations) in Birmingham, on my way to December’s Beer & Cameras event in Worcester and spotted the Odeon and the iconic Rotunda building mirrored in the reflective surface cladding the Grand Central shopping centre that sits atop New Street railway station.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… The old Post Office, Ilkeston

The old Post Office, Ilkeston.The old Post Office, Ilkeston
Minolta Dynax 505si Super, Minolta AF 50mm f/1.7 – 1/45s, f4, – Ilford FP4+ rated at ISO 200

I have a fondness for what are known as ‘Ghost’ signs… that is to say old painted, carved or tiled signs advertising long defunct businesses and I photograph them whenever possible.

Hogarths Gin Palace now occupies the building that this particular sign adorns, while the Post Office resides in a tiny, nondescript location closer to the centre of town.

This is an image from the roll of film I shot for January’s Emulsive FP4 Party.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Don’t cross

Dont crossDont cross, December 2017
Nikon FM, Nikkor 50mm f/2 – 1/500s, f2, – Ilford FP4+

Another image from the roll I shot in December for Emulsive’s FP4 Party. The lights took an age to change (and I’m far too infirm these days to scamper across a busy road without the benefit of an ‘official’ crossing point) so I thought I’d take a pic or two while I waited…

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Vintage ice skates

Vintage Ice Skates, Belper, December 2017Vintage Ice Skates, Belper, December 2017
Nikon FM, Nikkor 50mm f/2 – 1/60s, f2.8, – Ilford FP4+

I shot this in December for Emulsive’s FP4 Party but the scans didn’t return from the lab in time for post week. The skates and toboggan formed part of a festive decoration outside a local gift shop. That particular day the weather was bitterly cold and there was indeed some snow but not nearly enough for these vintage beauties to be needed…

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.