‘The best pictures are uninvited. They are suddenly there in front of you. But they are there one minute and gone the next.’
Jane Bown (English photographer) – March 13, 1925 – December 21, 2014.
Photography & General Ramblings…
‘The best pictures are uninvited. They are suddenly there in front of you. But they are there one minute and gone the next.’
Jane Bown (English photographer) – March 13, 1925 – December 21, 2014.
Remnants of a Railway
Nikkormat FT2, NIKKOR-S.C 50mm f/1.4, 1/125, f6.7 – Kodak Tri-X rated at ISO 200
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Fishing pegs, February 2021
Canon EOS 600, EF 40mm f/2.8 STM, 1/350, f11 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.
Some more Kodak Tri-X, correctly rated this time…
Although fishing is allowed under in the current lockdown (as a form of exercise apparently) the ‘pegs’ at Pinxton Wharf were unsurprisingly empty on this particularly cold February day.
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Jervaulx Abbey, May 1998
Minolta Autocord – Kodak T-Max T400CN
A couple of years ago I posted some images taken on a borrowed Minolta Autocord… a camera I’d completely forgotten ever using but some more negatives have recently turned up from it!
Jervaulx Abbey is somewhere I will return to (once we’re allowed to travel again), it’s a beautiful, tranquil place in the heart of the Yorkshire Dales.
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
No Horses, No Motorbikes…
Canon EOS 600, EF 40mm f/2.8 STM, 1/350, f11 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
SARAH ANN
Nikkormat FT2, NIKKOR-S.C 50mm f/1.4, 1/125, f5.6 – Kodak Tri-X rated at ISO 200
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.
Another image from a roll that’s been sitting in a camera for months!
As an afterthought the last thing I packed for my trip to the Isle of Whithorn in October 2019 was an untested Nikkormat FT2 loaded with a roll of Kodak Tri-X (rated at ISO 200 by mistake).
When it came to (finally) developing the film I thought ‘in for a penny, in for a pound’ and decided to use Adox Rodinal, a developer I’d never used before (a couple of people have expressed surprise at that fact!)
I’ve not shot much Tri-X so making comparisons is difficult but at first look I’m rather pleased with how this roll has turned out, with just the right amount of contrast and pleasant grain. It’ll be interesting to see how the roll of Tri-X (rated at ISO 400 this time) I’ve just finished compares…
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Gulls, Brighton Pier
Nikon F75, AF Nikkor 50mm f/1.8D, 1/90s, f11, Kodak Ektachrome E100
Two beautiful sunny days on the trot? Must be time to load some slide film!
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
Warren Street Station
Fujifilm X20, Fujinon Super EBC 7.1-28.4mm f2~2.8 at 13mm, 1/40s, f8, ISO 100
What was I photographing on this day in previous years?
Six years ago it was London during a day out riding the rails with Dad. From memory we were only in London for an hour and a half between trains but I had time for a brief wander out of Euston station and down to West End Cameras then located on Tottenham Court Road.
BT Tower reflection
Fujifilm X20, Fujinon Super EBC 7.1-28.4mm f2~2.8 at 16mm, 1/350s, f8, ISO 100
I couldn’t resist photographing the BT Tower, reflected in the University College Hospitals Education Centre, especially when a London bus sneaked into shot!
Beach hut shadows, Cromer
Fujifilm X-T2, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 74mm, 1/105s, f10, ISO 200
East Mill, Belper
Camera unrecorded – Ilford FP4 Plus
The ease with which I can digitise negatives using the excellent pixl-latr has encouraged me to delve into the pit that is my unlabled/unprinted negative folder(s) to try and make some sense of it all…
It’s not going well…
Take the roll this image is from. I’ve no clue as to when any of the 35 frames were exposed. None. I can’t even hazard a guess as to the year!
Is this sort of shambles common in other photographers?
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
* Engelbert Humperdinck singing “tell me quando, quando, quando” sounded quite exotic to me as a youngster… “tell me when, when, when” sounds much less so…
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