Monochrome Monday… Fishing pegs, February 2021

Fishing pegs, February 2021Fishing pegs, February 2021
Canon EOS 600, EF 40mm f/2.8 STM, 1/350, f11 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.

Some more Kodak Tri-X, correctly rated this time…

Although fishing is allowed under in the current lockdown (as a form of exercise apparently) the ‘pegs’ at Pinxton Wharf were unsurprisingly empty on this particularly cold February day.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Jervaulx Abbey, May 1998 (again…)

Jervaulx Abbey, May 1998Jervaulx Abbey, May 1998
Minolta Autocord – Kodak T-Max T400CN

A couple of years ago I posted some images taken on a borrowed Minolta Autocord… a camera I’d completely forgotten ever using but some more negatives have recently turned up from it!

Jervaulx Abbey is somewhere I will return to (once we’re allowed to travel again), it’s a beautiful, tranquil place in the heart of the Yorkshire Dales.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Sarah Ann

SARAH ANNSARAH ANN
Nikkormat FT2, NIKKOR-S.C 50mm f/1.4, 1/125, f5.6 – Kodak Tri-X rated at ISO 200
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.

Another image from a roll that’s been sitting in a camera for months!

As an afterthought the last thing I packed for my trip to the Isle of Whithorn in October 2019 was an untested Nikkormat FT2 loaded with a roll of Kodak Tri-X (rated at ISO 200 by mistake).

When it came to (finally) developing the film I thought ‘in for a penny, in for a pound’ and decided to use Adox Rodinal, a developer I’d never used before (a couple of people have expressed surprise at that fact!)

I’ve not shot much Tri-X so making comparisons is difficult but at first look I’m rather pleased with how this roll has turned out, with just the right amount of contrast and pleasant grain. It’ll be interesting to see how the roll of Tri-X (rated at ISO 400 this time) I’ve just finished compares…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Quando, quando, quando*

East Mill, BelperEast Mill, Belper
Camera unrecorded – Ilford FP4 Plus

The ease with which I can digitise negatives using the excellent pixl-latr has encouraged me to delve into the pit that is my unlabled/unprinted negative folder(s) to try and make some sense of it all…

It’s not going well…

Take the roll this image is from. I’ve no clue as to when any of the 35 frames were exposed. None. I can’t even hazard a guess as to the year!

Is this sort of shambles common in other photographers?

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

* Engelbert Humperdinck singing “tell me quando, quando, quando” sounded quite exotic to me as a youngster… “tell me when, when, when” sounds much less so…

Monochrome Monday… Experimenting with bellows…

BobbinBobbin
Yashica FX-D Quartz, Yashica ML 50mm f/1.9, f16; – Kentmere Pan 400
Developed in Ilford DDX at 1:4, 11½ mins at 20°c.

I’ve recently been experimenting macro photography using a set of bellows between a Yashica FX-D Quartz and a standard 50mm lens… it’s not the easiest setup to use, if getting the camera in the right place is difficult then keeping it still is nigh on impossible!

This cotton bobbin is roughly 25mm in diameter and only a slight crop has been applied to the image. The bellows were set to give 40mm of extension which gives (according to my calculations) a magnification of 1.1x, slightly larger than life-size.

More experimentation and practice is definitely needed…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Aysgarth Falls

Aysgarth FallsAysgarth Falls
Bronica SQ-A, Zenzanon-S 80mm f/2.8 – Fuji Superia 100

I haven’t posted a ‘Square Saturday’ in a while… this one is a bit of a test, my first medium format image digitised using the pixl-latr and also the first colour negative.

I’ve no notes for this image but I’m certain it was shot in May 2003, using a friend’s (Hi Dave!) Bronica SQ-A and standard 80mm lens. A neutral density was also obviously used (likely the Lee 100mm 0.6 I’ve had for years).

I really should do a scan of the negative to compare it with but I’m rather pleased with this version…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Carr Wood, January 2021

Carr Wood, January 2021Carr Wood, January 2021
Minolta X-700, MC W.ROKKOR 28mm f/2.8, 1/60s, f4 – Ilford HP5 Plus rated at ISO 320
Developed in Ilford DDX at 1:4, 9 mins at 20°c.

Another shot from the (correctly) repaired Minolta X-700, this time using a lens I’ve had squirelled away for a while. The MC W.ROKKOR 28mm f/2.8 was one of a pair of Minolta lenses found in a charity shop a couple of years ago for a measly £10 (the other is a MC ROKKOR-PF 50mm f/2) and it’s finally getting used!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.