Photography & General Ramblings…
St Mary’s Church, Crich
Ondu 6×6 Pocket Pinhole + orange filter, 30s, f167 – Foma Pan 100
Developed in Adox Rodinal at 1:25, 4 mins at 20°c.
I haven’t used my Ondu 6×6 Pocket Pinhole camera in a while but seeing this pic from 2021 has prompted me to load up a roll of Kentmere Pan 100 and give it an airing…
Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Under This Stone…
Seagull WWSC-120, Haiou 75mm f/3.5 – 1/125s, f8, – Ilford FP4 Plus
Developed in Ilford Ilfotec DD-X at 1:4, 10 mins at 20°c.
Another image from Chesterfield, these gravestones have been ‘tidied’ to the western end of the churchyard…
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Crooked Spire
Seagull WWSC-120, Haiou 75mm f/3.5 – 1/125s, f8, – Ilford FP4 Plus
Developed in Ilford Ilfotec DD-X at 1:4, 10 mins at 20°c.
Chesterfield’s famous Crooked Spire, photographed during the town’s 1940s market a couple of weeks ago.
I wasn’t sure how this roll would turn out… the camera, a Seagull twin-lens reflex, had been playing up during the previous roll.
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Pit Top Arch, Ripley
Seagull WWSC-10, Haiou 75mm f/3.5 – 1/125s, f11, – Ilford FP4 Plus
Developed in Ilford Ilfotec DD-X at 1:4, 10 mins at 20°c.
Ripley’s ‘Pit Top Arch’ has featured here before and no doubt will do so again…
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Nottingham Canal, August 2023
Chroma Cameras Cube, 30mm f/150 Pinhole + ND8 filter – 20s, f150, – Kentmere Pan 100
Developed in Ilford Ilfotec DD-X at 1:4, 10½ mins at 20°c.
Another image from the first roll through a Chroma Cameras Cube pinhole camera…
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
British Waterways building, August 2023
Chroma Cameras Cube, 30mm f/150 Pinhole + ND8 filter – 15s, f150, – Kentmere Pan 100
Developed in Ilford Ilfotec DD-X at 1:4, 10½ mins at 20°c.
Another image from the first roll through a Chroma Cameras Cube pinhole camera…
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Groyne, Hayling Island
Chroma Cameras Cube, 30mm f/150 Pinhole + ND8 filter – 10s, f150, – Kentmere Pan 100
Developed in Ilford Ilfotec DD-X at 1:4, 10½ mins at 20°c.
Yet another image from the first roll through my Chroma Cameras Cube pinhole camera…
I really like the softness of these images… I’m tempted to try a roll of colour film next.
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Horseshoe Weir, Belper
Chroma Cameras Cube, 30mm f/150 Pinhole + ND8 filter – 35s, f150, – Kentmere Pan 100
Developed in Ilford Ilfotec DD-X at 1:4, 10½ mins at 20°c.
Another image from the first roll through my Chroma Cameras Cube pinhole camera…
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
Pylon Down… In colour!
Seagull 4A, Haiou-31 75mm f/3.5 – 1/60s, f4 – Kodak Portra 160 rated at ISO 100
Yes it’s that pylon again! I think this is its first time in colour though…
I’ve recently started re-digitising some of my older negatives to take advantage of the Negative Lab Pro plug-in for Lightroom that’s now part of my workflow.
The original scan of this image was quite cold, not how I remember that particular evening’s light at all but Negative Lab Pro’s conversion is pretty much spot on!
Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr with minimal cropping and tweaking in Lightroom Classic CC.
Tree roots, Carr Wood
Bronica ETRSi, Zenzanon 75mm f/2.8 E II – 1s, f11, – Ilford FP4 Plus
Developed in Adox FX-39 II at 1:9, 6 mins at 20°c.
Another image from the first roll of film put through a recently acquired Bronica ETRSi.
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.
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