Single frame… Bee

BeeBee
Nikon FM2n, NIKKOR 45mm f/2.8P, 1/250s, f11, Kodak UltraMax 400 rated at ISO 200

An image from a roll of Kodak UltraMax that’s been in the developing queue since April!

This bee was for sale at a floating market on the Trent & Mersey Canal at Great Haywood in Staffordshire.

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… The Norfolk Arms Hotel, Burngreave, Sheffield

The Norfolk Arms Hotel, Burngreave, SheffieldThe Norfolk Arms Hotel, Burngreave, Sheffield
Nikon F-801s, AF Nikkor 24-50mm f/3.3-4.5 at 50mm, 1/15s, f11 – Fujifilm Neopan Across II
Developed in Ilford DD-X at 1:4, 9 mins at 20°c.

An image from a recent(ish) trip to Sheffield… I love the tiled ‘Gilmour’s Windsor Ales’ sign, one of a few still to be found in the area (Gilmour’s was a Sheffield brewery acquired by Joshua Tetley & Son Ltd in 1954).

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… CHAP. XX.

CHAP. XX.
CHAP. XX.
Ondu 6×6 Pocket Pinhole, 10 minutes, f167 – Kodak Gold 200 rated at ISO 100

Today is Worldwide Pinhole Photography Day and above is an image I captured on WWPD 2022.

Hopefully I’ll get chance to use my ONDU 6×6 Pocket pinhole camera today too…

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Gravestones, All Saints Church, Ripley

Gravestones, All Saints Church, Ripley
Gravestones, All Saints Church, Ripley
Konica Big Mini, Konica 35mm f/3.5 – JCH Street Pan 400
Developed in Ilford DDX at 1:4, 9 mins at 20°c.

I recently dropped my Konica Big Mini and apart from a couple of tiny scratches it appeared to have survived my clumsiness but of course the true test would come from further use…

This roll of JCH Streetpan 400 had been in the camera for a while so I decided to finish it off during a stroll around town, thankfully the camera seems to be working fine.

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… The Meeting Place, London St Pancras International

The Meeting Place, London St Pancras International
The Meeting Place, London St Pancras International
Canon EOS 30, EF 40mm f/2.8 STM, 1/350s, f5.6 – Ilford Delta 400 Professional rated at ISO 800
Developed in Ilford DDX at 1:4, 10½ mins at 20°c.

I’m amazed that Paul Day’s wonderful sculpture The Meeting Place at St Pancras station hasn’t featured here before… Obviously this is just a part of the sculpture but I’d only got a 40mm lens with me that day and couldn’t fit any more in!

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Vicarage Lane, Little Eaton

Vicarage Lane, Little Eaton
Vicarage Lane, Little Eaton
Nikkormat FT2, NIKKOR-H Auto 50mm f/2, 1/125s, f8 – Kentmere Pan 400
Developed in Ilford Ilfosol 3 at 1:9, 6½ mins at 20°c.

A few years ago I found a shabby NIKKOR-H Auto 50mm f/2 lens in a charity shop for a fiver… I wouldn’t say the results are shabby though, would you?

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Of Adox Color Implosion!

Leave Nothing But Your Footprint
Leave Nothing But Your Footprint On The Beach
Nikon F75, AF NIKKOR 50mm f/1.8D, 1/180s, f8 – Adox Color Implosion!

I’m not sure how long this roll of Adox Color Implosion! had been sitting in my F75 but Adox appear to have ceased production of this film in 2017!

I obviously didn’t pay much attention to the tell-tale window on the back of the camera either as until I unloaded it I thought it was a roll of black & white film!

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.