Category: Black & white

Monochrome Monday… Pit Wheel

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Pit Wheel, February 2018Pit Wheel, February 2018.
Canon Sure Shot Sleek, – Kentmere 400

A pit (colliery) wheel memorial at the gates of the Midland Railway-Butterley site at Swanwick Junction displayed ‘in remembrance of the miners of the highedge district who gave of their lives in local pits and those of their comrades who for nine hundred years worked in darkness and danger to help turn the wheels of industry.’

Another shot from my first roll of Kentmere 400 film, one of three that was a Christmas present from my wife, the Canon Sure Shot Sleek was yet another charity shop find.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… A hole in the roof

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A hole in the roof, January 2017A hole in the roof, January 2017
Kershaw 450, Otar Anastigmat 80mm f/4.5 – 1/50s, f8.5, – Ilford HP5+

A folder of scans from a roll of Ilford HP5+ that I shot last January turned up this afternoon (when I was looking for something else entirely!) so I thought I might as well post an image from it…

Luckily this hole is in the roof of one of the two disused piggeries at a friend’s house in the Nièvre department of France. It was shot on Ilford HP5+ using a Kershaw 450 folding camera that I’m planning on writing about in an upcoming post… watch this space as they say…

Scan by Peak Imaging with minimal cropping and tweaking in Lightroom CC.

Monochrome Monday… Trent Lock

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Barges on the Cranfleet Canal, February 2018Barges on the Cranfleet Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

Trent Lock is a major canal navigation junction on the borders of Derbyshire, Leicestershire and Nottinghamshire, south of Long Eaton. Here the 11½ mile Erewash Canal from Langle Mill and the River Soar meet the River Trent. The Cranfleet Canal (or ‘Cut’) allows boats to access the Trent heading downstream/east (avoiding a weir) and boats heading upstream/west soon arrive at the beginning of the Trent & Mersey Canal at Derwent Mouth, the point at which the River Derwent flows into the Trent.

Trinity, Erewash Canal, February 2018Trinity, Erewash Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

The area is still home to a couple of boatyards and a dry dock facility is available on the Erewash Canal immediately north of lock no.60 (the last lock before the River Trent). Visitors can also enjoy the Lock House Tea Rooms and the Trent Lock and Steamboat Inn public houses… (the food and beer in the latter being particularly good!)

Erewash Canal, February 2018Erewash Canal, February 2018
Nikon FE2, Nikkor 35mm f/2 – 1/125s, f8, – Lomo Lady Grey 400 rated at ISO 320

Scans by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Café.Bar.

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Café.Bar.Café.Bar. Nottingham, December 2017
Nikon FE2, Nikkor 45mm f/2.8P – 1/1000s, f4, – Lomo Lady Grey 400 rated at ISO 320

A snapshot taken while passing the Nottingham Contemporary art centre in the Lace Market area of Nottingham. I must confess that I’ve never been inside the building but funnily enough have managed to enter the deconsecrated church next door that’s now the Pitcher & Piano pub!

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Canal Cottage

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Canal Cottage, February 2018Canal Cottage, February 2018
Canon Sure Shot Sleek, – Kentmere 400

This cottage stands beside the Cromford Canal in Derbyshire, at the point where the ‘Nightingale Arm’ meets the main canal. Built by Florence Nightingale’s uncle the arm served a lead smelter at the village of Lea Bridge. Known as ‘Aqueduct Cottage’ (due to the proximity of the Leawood Aqueduct over the River Derwent) it was originally home to the Nightingale Arm’s lengthsman (the worker responsible for the maintenance and repair of a section of canal).

Another shot from my first roll of Kentmere 400 film, one of three that was a Christmas present from my wife, the Canon Sure Shot Sleek was yet another charity shop find.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… The Gallery Café, January 2018

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The Gallery Café, January 2018The Gallery Café, January 2018
Pentax MZ-30 + SMC-A 28mm f/2.8 – 1/45s, f4, – Kodak T400CN

One of my projects for 2018 is to become more comfortable with street photography, a genre I’ve never had much success with (one of many if truth be told…)

This is one of my recent attempts, taken in the Millennium Gallery in Sheffield during a trip to view the exhibition of images from last year’s Photo Marathon Sheffield.

With hindsight a camera with a waist-level viewfinder might be a better bet for future attempts… less obvious than holding an SLR to the eye.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.