Monochrome Monday… The Wave, The University of Sheffield

The Wave, The University of SheffieldThe Wave, The University of Sheffield
Nikon F-801s, AF Nikkor 24-50mm f/3.3-4.5 at 24mm + Y48 filter, 1/60s, f11 – Fujifilm Neopan Across II
Developed in Ilford DD-X at 1:4, 9 mins at 20°c.

Sheffield University’s new Social Science building ‘The Wave’ had only been open for a couple of weeks when I photographed it in May this year. The 16,600sqm structure was designed by HLM Architects and cost £65m but complaints have recently been made that the building traps too much heat in hot weather causing a potential health and safety hazard!

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Throwback Thursday… Pit Top Arch

Pit Top Arch, Ripley
Pit Top Arch, Ripley
Fujifilm X20, Fujinon Super EBC 7.1-28.4mm f2~2.8 at 22.8mm, 1/160s, f8, ISO 100

What was I photographing on this day in previous years?

Eight years ago it was this sculpture by Liz Lemon and Gwen Heeney… I’m not sure if it has an official name but it’s known locally as the ‘Pit Top Arch’ as it stands on the site of Ripley Colliery.

Originally the arch was mirrored by a seating area but this was removed some years ago, presumably because people would insist on sitting there… 🙄

The Fujifilm X20 has recently returned after a period out on loan to a friend and I’ve started using it again.

Love Is Pain!
Love Is Pain!
Fujifilm X20, Fujinon Super EBC 7.1-28.4mm f2~2.8 at 13.7mm, 1/90s, f8, ISO 100

Single frame… The Norfolk Arms Hotel, Burngreave, Sheffield

The Norfolk Arms Hotel, Burngreave, SheffieldThe Norfolk Arms Hotel, Burngreave, Sheffield
Nikon F-801s, AF Nikkor 24-50mm f/3.3-4.5 at 50mm, 1/15s, f11 – Fujifilm Neopan Across II
Developed in Ilford DD-X at 1:4, 9 mins at 20°c.

An image from a recent(ish) trip to Sheffield… I love the tiled ‘Gilmour’s Windsor Ales’ sign, one of a few still to be found in the area (Gilmour’s was a Sheffield brewery acquired by Joshua Tetley & Son Ltd in 1954).

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.