Category: Landscape

Throwback Thursday… Bridlington

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Bridlington, March 2017Bridlington, March 2017
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 41mm, 1/1000s, f8, ISO 400

What was I photographing on this day in previous years?

Five years ago it was the seaside town of Bridlington in Yorkshire.

It’s a town I never get bored with visiting and I’m hoping to visit again in June for Race the Waves ’22

Bridlington Harbour, March 2017Bridlington Harbour, March 2017
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 52mm, 1/250s, f8, ISO 400

Monochrome Monday… Carr Wood on the YashicaMat 124G

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Carr WoodCarr Wood
YashicaMat 124G, Yashinon 80mm f/3.5 – 1/60s, f11, – Kodak T-Max 400
Developed in Ilford Ilfotec DD-X at 1:4, 8 mins at 20°c.

Another image from a twin-lens reflex (TLR) camera, but this time it’s a YashicaMat 124G.

It’s a camera I’ve never had much success with in the past… The taking lens has a little fungus inside and I’ve always found it difficult to focus. That said, previous attempts at using it were hand-held and lately I’ve been using a tripod more and more which (for me at least) makes focusing easier.

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Crocuses, Derby Arboretum

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Crocuses, Derby ArboretumCrocuses, Derby Arboretum
Mamiya C330, Mamiya-Sekor 80mm f/2.8 – 1/500s, f4, – Lomography CN 400 rated at ISO 200

An image from a recent ‘Photography Friday’ jaunt with my regular partner-in-crime, Rachel to Derby Arboretum, Britain’s first public park.

Joseph Strutt commissioned and donated the park for the benefit of citizens of Derby in 1840. The intention was a botanical tree garden for instruction as well as leisure. Sadly it was neglected for many years and even now is a little known and somewhat unappreciated spot in the city…

Developed by AgLab
Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Roker, February 2022

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Roker, February 2022Roker, February 2022
Ondu 135 Panoramic Pinhole + ND6 filter, 25s, f167 – Kosmo Foto Mono
Developed in Adox Rodinal at 1:50, 9 mins at 20°c.

The first roll of film through my Ondu 135 Panoramic pinhole camera wasn’t a total success, the first half of the roll suffering from overlapping frames as a result of me not counting ‘clicks’ correctly as the film’s sprocket holes catch on a small ‘tongue’ as the film is wound on…

I did eventually realise there is a definite ‘click, click, CLICK!’ though and counting the ‘CLICK’ has prevented overlapping frames.

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Roots

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RootsRoots, Carr Wood
Mamiya C330, Mamiya-Sekor 80mm f/2.8 – 1/15s, f11, – Kodak T-Max 400
Developed in Ilford Ilfotec DD-X at 1:4, 8 mins at 20°c.

And yet another image from the Mamiya C330 twin-lens reflex (TLR) camera I’m currently trying out…

I actually managed a roll of colour film in this camera yesterday and I can’t wait to see the results!

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Slide Film Sunday… The Upper Room by Colin Wilbourn

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The Upper Room by Colin Wilbourn-20000226The Upper Room by Colin Wilbourn
Nikon F90X Pro, Sigma 28~200mm f/3.8-5.6 DL Macro – Fujichrome

A couple of weeks ago I posted an image of Colin Wilbourn’s Stone Stair Carpet here and when browsing the artist’s website I discovered I’d photographed another of his creations in Durham back in February 2000.

The Upper Room was created from 13 elm trunks, arranged on the bank of the River Wear where they had grown. From most viewpoints they made little sense but at one end of the ‘grove’ there was a seat in a hollowed out trunk and from this seat the image of the empty room, complete with the remains of the meal that had taken place there became visible.

Eventually the wood deteriorated and the sculpture was dismantled…

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.