Alport Heights, August 2018
Olympus OM20, Zuiko Auto-S 50mm f/1.8 – 1/250s, f8, – Rollei RPX 100
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
Photography & General Ramblings…
Alport Heights, August 2018
Olympus OM20, Zuiko Auto-S 50mm f/1.8 – 1/250s, f8, – Rollei RPX 100
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
Coniston Methodist Church
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 21mm, 1/150s, f11, ISO 400
Another image from last week’s madcap dash to the Lake District…
There really is nothing finer than meandering around somewhere interesting, camera in hand, with the promise of a pint (or two) to come…
Coniston Fells
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 49mm, 1/320s, f8, ISO 400
Every year a pal of mine makes a pilgrimage from Derbyshire to the Lake District to climb a hill in memory of his father. It’s a lovely idea, if slightly crazy to drive all the way there and back AND climb a hill in a single day!
This year it was the turn of the Old Man of Coniston, a 2,634ft (803m) high fell (from Old Norse fell, fjall, “mountain”) that lies to the west of the village of Coniston and Coniston Water.
I went along for the ride and spent my day taking photos (and sampling the ales in the local pubs… The Yewdale Inn being a clear winner in my book!) and the above image is my favourite (at least until I have the roll of film I shot developed).
Picnic on the beach, Sheringham, September 2018
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 46mm, 1/80s, f8, ISO 200
Lower Largo, October 2017
Nikon F3HP, Nikkor 50mm f/1.8 AI-S – 1/125s, f8 – Ilford Delta 100
Not long now until I’m off to this wonderful place again… Lower Largo on the Fife coast. Which cameras to take this time?
The viaduct in the background once carried the Fife Coast Railway that ran from Thornton Junction in the west to St Andrews in the north. The line closed to passengers in September 1965 and completely in December 1966.
Scan by Peak Imaging with minimal cropping and tweaking in Lightroom Classic CC.
‘Oh, Oh, Dyane’
Fujifilm X-T10, Fujinon XF 18-55mm f2.8~4 R LM OIS at 42mm, 1/125s, f8, ISO 1600
What was I photographing on this day in previous years?
Two years ago it was this sorry specimen… A Citroën Dyane slowly rotting away in the corner of a field in France.
The title of this image comes from the Fleetwood Mac song ‘Oh Diane’ (on the ‘Mirage’ album). The lyric popped into my head as I was editing the image…
Morston Quay, September 2018
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 20mm, 1/160s, f11, ISO 200
Steamboat on the Trent & Mersey Canal
Nikon FE2, Tamron Adaptall-2 35-70mm f/3.5 at 70mm – 1/250s, f8, – Lomo Lady Grey 400 rated at ISO 320
Another shot taken with a charity shop find Tamron Adaptall-2 35-70mm f/3.5 lens mounted on my Nikon FE2. A steamboat chuffs its way along the Trent & Mersey Canal at Shardlow during a recent(ish) ‘Photography Friday’ jaunt.
Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.
Tees Transporter Bridge, September 2017
Olympus μ[mju:] Zoom 115 – Fuji Neopan 400CN rated at ISO 200
The Tees Transporter Bridge links Middlesbrough on the south bank of the river Tees to Port Clarence on the north and is the longest transporter bridge in the world with a span (between the towers) of 590ft.
Built by Sir William Arrol & Co. of Glasgow between 1910 and 1911 the bridge replaced a ferry service and the travelling ‘gondola’, suspended from the bridge, can carry 200 people or nine cars across the river in just 90 seconds!
Scan by Peak Imaging with minimal cropping and tweaking in Lightroom CC.
The Sound Tower, Chapel Six Marshes
Nikon FA, Nikkor 85mm f/2 AI-S – 1/125s, f11, – CineStill BwXX rated at ISO 250
The Sound Tower is part of The Structures on the Edge (SOTE) project, a fascinating series of installations on the Lincolnshire coast.
Designed by R Cannon and M Springett, London, the tower is ‘a device that focuses people’s senses and amplifies the windy nature of the site.’
I’ve no idea what the pipes in the foreground are for…
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