Monochrome Monday… Burned out van

Burned out vanBurned out van
Canon EOS 600, EF 40mm f/2.8 STM, 1/45, f4.5 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.

My ‘Photography Friday’ outings with Rachel have been fewer and farther between this year but we’ve managed the occasional stroll with our cameras and the above image is from one such outing…

I think this sorry looking specimen was once a Ford Transit van and I certainly don’t imagine there are any salvageable parts here!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Frozen canal

Frozen canalFrozen canal
Canon EOS 600, EF 40mm f/2.8 STM, 1/125, f11 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.

The Nottingham Canal hasn’t seen a boat in many years so a covering of ice was only causing a problem for the ducks on this particular February day…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Fishing pegs, February 2021

Fishing pegs, February 2021Fishing pegs, February 2021
Canon EOS 600, EF 40mm f/2.8 STM, 1/350, f11 – Kodak Tri-X
Developed in Adox Rodinal at 1:25, 7 mins at 20°c.

Some more Kodak Tri-X, correctly rated this time…

Although fishing is allowed under in the current lockdown (as a form of exercise apparently) the ‘pegs’ at Pinxton Wharf were unsurprisingly empty on this particularly cold February day.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… ‘When the red, red robin comes bob-bob bobbin’ along…’

Robin (Erithacus rubecula)Robin (Erithacus rubecula)
Nikon D5500, Tamron SP 70-300mm f/4-5.6 Di VC USD at 300mm, 1/125s, f8, ISO 140

I’m not really a ‘twitcher’ (although I have just joined the RSPB) but photographing birds whilst out and about is proving to be very enjoyable and the acquisition of a Tamron SP 70-300mm lens for my wife’s Nikon D5500 has made doing so much easier…

Granted, so far a lot of my images are of Robins (Erithacus rubecula) but the UK’s favourite bird is incredibly numerous and not at all shy, making the capturing of images a breeze!

Monochrome Monday… Groyne, Bridlington, November 2019

Groyne, Bridlington, November 2019Groyne, Bridlington, November 2019
Olympus [mju:] Zoom, Olympus 35-70mm at 50mm – Rollei RPX 400
Developed in Ilford DDX at 1:4, 10 mins at 20°c.

Another image from my charity shop find Olympus [mju] zoom.

There are many things I miss in these lockdown days but trips to the coast and ‘Photography Friday’ jaunts with Rachel are at the top of the list…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… ‘Strop’ steps, Bridlington

'Strop' steps, Bridlington‘Strop’ steps, Bridlington
Olympus [mju:] Zoom, Olympus 35-70mm at 35mm – Rollei RPX 400
Developed in Ilford DDX at 1:4, 10 mins at 20°c.

I’m not going to go into why these steps down to North Beach at Bridlington are known (to some of us at least) as ‘strop’ steps… 😁

What I will say is how pleased I am that the £5.00 Olympus [mju] zoom I picked up from a charity shop last year works perfectly! Bargain!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Weir, Monsal Dale

Weir, Monsal Dale, July 2020Weir, Monsal Dale, July 2020
Fujifilm X-T2, Fujinon XF 14mm f2.8 R, 1/3s, f22, ISO 200

A digital image that somehow ‘slipped the net’ for you today… captured during a ‘Photography Friday’ outing to Monsal Dale with Rachel back in July this year.

Torrential rain in the Peak District in summer isn’t at all unusual and we were thoroughly soggy by the time we’d packed up our tripods and made our way back to the car.

I didn’t make any notes at the time but I seem to remember using both a polarising filter and a three-stop neutral density filter for this shot.