Single frame… Tommy (again)

TommyTommy
Fujica GW 690 Professional, Fujinon EBC 90mm f/3.5, 1/125, f11 – Rollei Retro 400S
Developed in Adox Rodinal at 1:25, 10½ mins at 20°c.

Ray Lonsdale’s statue Tommy has featured here before but I rather like the atmosphere in this image shot on Rollei Retro 400S film and make no apologies for featuring it again.

The 9ft 5in (2.87m) tall statue is officailly named 1101 (Eleven-O-One) which refers to the first minute of peace after the armistice was declared at 11am on 11 November 1918, but everyone seems to know it as Tommy (a reference to the popular nickname of Tommy Atkins for a common soldier in the British Army).

The statue was unveiled close to the war memorial in Seaham, County Durham, on 4 August 2014, the centenary of Britain’s declaration of war on Germany.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Barcoded path

Barcoded pathBarcoded path
Nikon F3HP, NIKKOR 50mm f/1.4 Ai-S, 1/125s, f11 – Ilford Delta 400 Professional rated at ISO 320
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

Another image from the roll of Ilford Delta 400 that had escaped the developing queue…

This pathway is a couple of hundred yards from our house and a brilliant place for collecting pine cones!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Undercliffe Walk, Saltdean

Undercliffe Walk, SaltdeanUndercliffe Walk, Saltdean, July 2020
Nikon F3HP, NIKKOR 35mm f/2 Ai-S + O56 orange filter, 1/125s, f11 – Ilford Delta 400 Professional rated at ISO 320
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

An image from a roll of film that had escaped the developing queue somehow… from our one trip south to visit the Godsons last year.

The Undercliffe Walk at Saltdean, east of Brighton, is a very pleasant spot for a Sunday morning stroll even if I did make life more difficult for myself by making the already heavy Nikon F3HP even heavier with the MD-4 motordrive I’d picked up the day before from Park Cameras in Burgess Hill!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Tree stump, Tarn Hows, April 1998

Tree stump, Tarn Hows, April 1998Tree stump, Tarn Hows, April 1998
Contax G1, Carl Zeiss 45mm f/2 Planar T* – Ilford HP5 Plus.
Developed in Fotospeed FD30 at 1:9, 6 mins at 20°c.

I’m digitising some of my older negatives as they crop up during my current bout of sorting and filing…

This image is from a trip to the Lake District National Park my wife and I took at Easter 1998. If memory serves, the day before this (when I was wandering around in shorts and a t-shirt) we’d been treated to biting winds and snow flurries!

The Contax G1 is one of the few cameras I truly regret parting with…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Lower quadrant signals, Butterley station

Lower quadrant signals, Butterley stationLower quadrant signals, Butterley station
Nikon EM – Ilford XP2 Super

An image from one of the 197 (so far) sheets of negatives I’ve labelled and filed recently…

I’ve no notes for this roll other than the camera used (Nikon EM) and the dates shot (January/February 2015) but I suspect the lens used was my Nikon Series E 50mm f/1.8.

At the time I was having my films developed by the cheapest of local minilabs and the negatives are in a shocking state! Switching to the excellent AgLab for C41 and E6 processing was definitely a good move!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Belper Mill and The Triangle, March 2021

Belper Mill and The Triangle, March 2021Belper Mill and The Triangle, March 2021
Ondu 6×6 Pocket Pinhole + ND8 filter, 90s, f167 – Foma Pan 100
Developed in Adox Rodinal at 1:25, 4 mins at 20°c.

Another image of Belper East Mill, this time with ‘The Triangle’ in the foreground.

‘The Triangle’ was created c.1900 when a number of houses were demolished to improve the road juction here. It was used as the turning circle for the Derby-Belper bus from the end of the First World War until the 1970s.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Belper Mill and the River Derwent

Belper Mill and the River Derwent, March 2021Belper Mill and the River Derwent, March 2021
Ondu 6×6 Pocket Pinhole + ND8 filter, 201s, f167 – Foma Pan 100
Developed in Adox Rodinal at 1:25, 4 mins at 20°c.

Another image from the fantastic Ondu 6×6 Pocket Pinhole camera…

The seven-storey Belper East Mill dates from 1912 and as a child (not quite as far back as 1912!) I got to explore most of it thanks to my Dad being assistant general manager there.

The Horseshoe Weir (built c.1797) was built to enable the River Derwent to power the older West Mill and replaced a much simpler structure located slightly further upstream.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Thurne Mill, September 2020

Thurne Mill, September 2020Thurne Mill, September 2020
Olympus OM20, Zuiko Auto-W 35mm f/2.8, 1/250s, f11 – Ilford FP4 Plus rated at ISO 100
Developed in Adox Rodinal at 1:25, 9 mins at 20°c.

Another image of Thurne Mill in Norfolk, this time from roll of 35mm Ilford FP4 Plus that’s been waiting for development for a couple of months…

The weather that day was perfect for an outdoors pub lunch and a pint or two (or three)… It’s a pity I can’t say the same of today!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.