Square Saturday… Milepost 22, C&HPR

Milepost 22, C&HPRMilepost 22, C&HPR
Mamiya C330, Mamiya-Sekor 80mm f/2.8 – 1/60s, f11, – Kodak T-Max 400
Developed in Ilford Ilfotec DD-X at 1:4, 8 mins at 20°c.

I’m currently trying out a Mamiya C330 twin-lens reflex (TLR) camera and this image is from the second roll of film I’ve put through it.

It’s a heavy beast but incredibly nice to use, and (as I’m sure I’ve mentioned before) I love the square format!

This is milepost 22 on what was the Cromford & High Peak Railway (C&HPR) in Derbyshire, now the High Peak Trail.

Digitised using Nikon D5600 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Reflection, St Monans

Reflection, St MonansReflection, St Monans
Ondu 6×6 Pocket Pinhole, 10s, f167 – Kodak Ektar rated at ISO 50

An image from the first roll of colour film through my ONDU 6×6 Pocket pinhole camera.

I still feel I’m struggling with the camera to subject distance but I don’t think it really matters in this pic too much…

Developed and scanned by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Crich Tramway Village, WPPD 2021

Crich Tramway Village, WPPD 2021Crich Tramway Village, WPPD 2021
Ondu 6×6 Pocket Pinhole + ND8 filter, 66s, f167 – Foma Pan 100
Developed in Adox Rodinal at 1:25, 4 mins at 20°c.

Yet another image from the fantastic Ondu 6×6 Pocket Pinhole camera and one of a number I shot on Worldwide Pinhole Photography Day 2021.

Crich Tramway Village occupies a former limestone quarry at Crich in Derbyshire and is home to more than 60 preserved tramcars.

Visible above is former Blackpool Corporation Tramways single-deck ‘toast-rack’ tramcar No.236 which became a permanent member of the fleet at Crich in 2012 and has since covered over 10,000 miles there!

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Belper Mill and the River Derwent

Belper Mill and the River Derwent, March 2021Belper Mill and the River Derwent, March 2021
Ondu 6×6 Pocket Pinhole + ND8 filter, 201s, f167 – Foma Pan 100
Developed in Adox Rodinal at 1:25, 4 mins at 20°c.

Another image from the fantastic Ondu 6×6 Pocket Pinhole camera…

The seven-storey Belper East Mill dates from 1912 and as a child (not quite as far back as 1912!) I got to explore most of it thanks to my Dad being assistant general manager there.

The Horseshoe Weir (built c.1797) was built to enable the River Derwent to power the older West Mill and replaced a much simpler structure located slightly further upstream.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Jervaulx Abbey, May 1998 (again…)

Jervaulx Abbey, May 1998Jervaulx Abbey, May 1998
Minolta Autocord – Kodak T-Max T400CN

A couple of years ago I posted some images taken on a borrowed Minolta Autocord… a camera I’d completely forgotten ever using but some more negatives have recently turned up from it!

Jervaulx Abbey is somewhere I will return to (once we’re allowed to travel again), it’s a beautiful, tranquil place in the heart of the Yorkshire Dales.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Square Saturday… Aysgarth Falls

Aysgarth FallsAysgarth Falls
Bronica SQ-A, Zenzanon-S 80mm f/2.8 – Fuji Superia 100

I haven’t posted a ‘Square Saturday’ in a while… this one is a bit of a test, my first medium format image digitised using the pixl-latr and also the first colour negative.

I’ve no notes for this image but I’m certain it was shot in May 2003, using a friend’s (Hi Dave!) Bronica SQ-A and standard 80mm lens. A neutral density was also obviously used (likely the Lee 100mm 0.6 I’ve had for years).

I really should do a scan of the negative to compare it with but I’m rather pleased with this version…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.