Monochrome Monday… A few frames from Tideswell on JCH Street Pan 400

Forget Not The DeadForget Not The Dead
Nikon FA, Nikkor 50mm f/1.8 AI-S – 1/500s, f4 – JCH Street Pan 400 rated at ISO 320

One of the films that came back from the lab on Saturday was a roll of JCH Street Pan 400 that had been lurking in my Nikon FA since August last year!

Corner House, TideswellCorner House, Tideswell
Nikon FA, Nikkor 50mm f/1.8 AI-S – 1/125s, f8 – JCH Street Pan 400 rated at ISO 320

Tideswell in the Derbyshire Dales (known locally as ‘Tidza’) is a beautiful village, the centrepiece of which is the Church of St John the Baptist, known as the ‘Cathedral of the Peak’.

The dull weather during my visit didn’t do the sights any favours but Bellamy Hunt’s JCH Street Pan 400 film has still delivered some nice, contrasty images…

1929 Ford Model A, Tideswell, October 20181929 Ford Model A, Tideswell, October 2018
Nikon FA, Nikkor 50mm f/1.8 AI-S – 1/60s, f8 – JCH Street Pan 400 rated at ISO 320

Epson 4870 Photo scans with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… 120 Bridge Street

120 Bridge Street120 Bridge Street
Olympus OM-2 Spot/Program, F-Zuiko Auto-S 50mm f/1.8 – 1/100s, f8 – Ilford HP5 Plus rated at ISO 640

I’ve mentioned before the idea of photographing all the different ways in which house numbers are displayed, ancient and modern, simple or elaborate… maybe it’s time I got on with it?

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Knife Angel, Coventry

Knife Angel, CoventryKnife Angel, Coventry
Fujifilm X-T1, Fujinon XF 18-135mm f3.5~5.6 R LM OIS WR at 18mm, 1/420s, f8, ISO 400

Currently on display in Coventry, the National Monument Against Violence and Aggression, more commonly known as the ‘Knife Angel’ is a towering, poignant tribute to the lives lost to knife violence.

Artist Alfie Bradley disinfected and blunted more than 100,000 weapons before welding them together to form the angel. Thirty percent of the knives used in the sculpture were bloodied on arrival and came in biohazard bags.

It’s an incredibly moving piece of art and ironically I almost had a moment of ‘violence and aggression’ myself while viewing it… The urge to slap senseless the person who insisted on telling me ‘it’s a statue dedicated to Mick Dagger! Geddit? Mick DAGGER!’ was almost irresistible…

Monochrome Monday… Brighton on revolog Snovlox film

West Pier, Brighton, December 2018West Pier, Brighton, December 2018
Nikon F75, AF Nikkor 50mm f/1.8D – 1/125s, f8, – revolog Snovlox

Before Christmas, for a bit of photographic fun I added a roll of revolog Snovlox film to an order from Analogue Wonderland.

Snovlox is a limited edition black and white film with similar effects to revolog’s Volvox film, a colour film that adds bright green dots all over the negative… with Snovlox the dots are white, giving a wintry feel to images.

Snovlox’s base is the excellent Kodak T-MAX 100 and it’s processed as such, giving results such as those you see here.

I’m rather taken with the results from this film and will be buying some more while it’s still on sale (it’s only available between October and March). I’ve also got a couple of other revolog films in stock; Kolor and Streak and am looking forward to trying them both soon…

Brighton bicycle, December 2018Brighton bicycle, December 2018
Nikon F75, AF Nikkor 50mm f/1.8D – 1/90s, f2.8, – revolog Snovlox

Scans by AgLab with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Café, Avenue Edgard Hubert

Café, Avenue Edgard Hubert.jpgCafé, Avenue Edgard Hubert.jpg
Nikon FE2, Nikkor 50mm f/1.8 AI-S – 1/125s, f8, – Kodak ColorPlus 200 rated at ISO 100

A road trip through the French countryside is a fantastic way of finding interesting things to photograph… this closed up café was in the sleepy commune of Jars in the Cher department.

Scan by AgLab with minimal cropping and tweaking in Lightroom Classic CC.