Single frame… Leash Fen, December 2021

Leash Fen, December 2021Leash Fen, December 2021
Fujifilm X-E4, Fujinon XF 90mm f2 R LM WR, 1/850s, f11, ISO 160

A slow drive through the Peak District on a bright December day was just what the doctor ordered yesterday and I stopped a few times to take pics… Leash Fen is just inside the eastern border of the National Park and an area I’ve never really explored before but I’m planning a return visit as soon as possible.

Monochrome Monday… Diagonals

DiagonalsDiagonals
Nikon FE2, NIKKOR 45mm f/2.8P, 1/250s, f8 – Ilford Delta 400 Professional rated at ISO 320
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Hollyhocks at No.6

Hollyhocks at No.6Hollyhocks at No.6
Olympus OM20, Zuiko Auto-Macro 50mm f/3.5, 1/125s, f11; – Kodak ColorPlus rated at ISO 100

An image from one of my first colour rolls developed by Analogue Wonderland’s new ‘Wonderlab’

They certainly won’t be the last rolls I send them though… lovely clean negatives (albeit sleeved in strips of four, I prefer strips of six) and excellent scans make me a very happy bunny!

Development and scan by Analogue Wonderlab with minimal cropping and tweaking in Lightroom Classic CC.

Throwback Thursday… Fat Stan (again!)

Fat Stan-20061202a.jpgHorns!
Nikon D200, Sigma 10-20mm f/4-5.6 EX DC HSM at 20mm, 1/4s, f5.6, ISO 400

What was I photographing on this day in previous years?

Fifteen years ago it was local rock band Fat Stan, playing a pre-Christmas gig at a local pub (the Dog & Doublet in Pye Bridge if memory serves me…)

Sadly neither band nor pub are still going but more pics of the former can be found here.

Fat Stan-20061202b.jpgFat Stan
Nikon D200, Sigma 10-20mm f/4-5.6 EX DC HSM at 10mm, 1/4s, f4, ISO 400

Monochrome Monday… Jitty, Belper

Jitty, BelperJitty, Belper
Canon EOS 30, EF 40mm f/2.8 STM, 1/60s, f11 – Ilford Delta 400 Professional rated at ISO 400
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

This jitty/gennel/ginnel/snicket/twitchel (select the applicable name for your local area…) has featured previously featured here (and no doubt will do so again…)

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8, pixl-latr and Negative Lab Pro plugin with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Hook

HookHook
Olympus OM-2 SPOT/PROGRAM, Zuiko Auto-S 50mm f/1.8, 1/400s, f11 – Ilford HP5 Plus rated at ISO 200
Developed in Ilford DDX at 1:4, 7 mins at 20°c.

This hook is one of a number of features retained by a local building that used to be a pub called ‘The Generous Briton’. I’m assuming it was used to lower barrels into the cellar.

The pub closed years ago but the building also has (a very faded) sign and a skittle alley in the yard…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.

Throwback Thursday… Colin Bourdiec at the Bridge Inn

Colin Bourdiec-20181111aColin Bourdiec
Fujifilm X-T10, Fujinon XF 50mm f2 R WR, 1/75s, f2, ISO 3200

What was I photographing on this day in previous years?

Three years ago it was multi-period all-round entertainer Colin Bourdiec at the Bridge Inn in Cotmanhay, Derbyshire.

Colin Bourdiec-20181111cColin Bourdiec
Fujifilm X-T10, Fujinon XF 50mm f2 R WR, 1/40s, f2, ISO 3200

It was an incredibly entertaining evening with the highlights being Colin’s English/German version of “The Lambeth Walk” and the impromptu audience participation on “Run Rabbit Run” (something Rachel and I still wonder about… don’t ask!)

Colin Bourdiec-20181111dColin Bourdiec
Fujifilm X-T10, Fujinon XF 50mm f2 R WR, 1/60s, f2, ISO 3200

Monochrome Monday… March of the pylons

March of the pylonsMarch of the pylons
Nikon FE2, NIKKOR 45mm f/2.8P, 1/125s, f11 – Ilford Delta 400 Professional rated at ISO 320
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

An image from a stroll along the Trent & Mersey Canal with my partner in (photographic) crime Rachel back in August.

I liked the contrast between the harsh lines of the electricity pylons and the softer lines of the reeds and their reflection…

Digitised using Nikon D5500 & AF-S Micro-NIKKOR 40mm f/2.8 and Nikon ES-2 Film Digitising Adapter with minimal cropping and tweaking in Lightroom Classic CC.