Monochrome Monday… Signal post, High Peak Junction

Signal post, High Peak JunctionSignal post, High Peak Junction
Pentax MZ-M, Pentax-A 50mm f/2 – 1/90s, f8, – Kosmo Foto Mono
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

Yet another image from the recently developed roll of Kosmo Foto Mono that had been lurking in a Pentax MZ-M since 2018.

I must photograph this railway signal post every single time I visit High Peak Junction, where the Cromford & High Peak Railway (C&HPR) met the Cromford Canal until the latter was abandoned in 1944.

Nikon COOLSCAN IV ED scan with minimal cropping and tweaking in Lightroom Classic CC.

Single frame… Literally!

Riddings Park, January 2018Riddings Park, January 2018
Pentax MZ-M, Pentax-A 50mm f/2 – 1/125s, f8, – Ilford XP2 Super rated at ISO 320

This roll of Ilford XP2 Super has been knocking around in my desk drawer for quite some time… I knew it was partially exposed but couldn’t remember how many shots I’d taken on it.

One!

Taken during a ‘Photography Friday’ outing with Rachel in January 2018! Film loaded, first shot taken, camera died! (a different Pentax MZ-M from the one I’ve posted pics from recently).

Nikon COOLSCAN IV ED scan with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Whatstandwell Station Footbridge

Whatstandwell Station FootbridgeWhatstandwell Station Footbridge
Pentax MZ-M, Pentax-A 50mm f/2 – 1/60s, f8, – Kosmo Foto Mono
Developed in Ilford DDX at 1:4, 8 mins at 20°c.

Another image from the recently developed roll of Kosmo Foto Mono that had been lurking in a Pentax MZ-M since 2018.

The Midland Railway (MR) footbridge at Whatstandwell station is still used daily and was constructed by Andrew Handyside & Co. Ltd. of Derby as long ago as 1894!

Nikon COOLSCAN IV ED scan with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Leaves

LeavesLeaves
Olympus OM-1N, Zuiko 50mm f/3.5 Macro, 1/125s, f5.6 – Ilford FP4 Plus rated at ISO 100
Developed in Ilford DDX at 1:4, 10 mins at 20°c.

I really need to get out for a wander in the woods again…

Nikon COOLSCAN IV ED scan with minimal cropping and tweaking in Lightroom Classic CC.

Monochrome Monday… Mercia Marina on Kentmere Pan 400

From Friday’s film disappointment (Foma Retropan 320) to a film I’m really beginning to love… Kentmere Pan 400.

Mercia Marina, January 2020Mercia Marina, January 2020
Nikon FE, Zoom-NIKKOR 43˜86mm f/3.5 AI at 43mm, 1/250s, f8½ – Kentmere 400
Developed in Ilford DDX at 1:4, 11½ mins at 20°c.

Mercia Marina (off the Trent & Mersey Canal in South Derbyshire) is an odd mix of old boats and new buildings and it made for an interesting ‘Photography Friday’ outing back in January.

I was testing a (new to me) Nikon FE and shooting an inexpensive black & white film made sense as I’d just started home developing again.

Kentmere Pan 400 is certainly more contrasty than the Retropan and whilst still grainy, it’s a more ‘crisp’ grain that I rather like.

I’ve just bought some Kentmere Pan 100… let’s see what that’s like?

Single frame… Chimneys, Long Eaton

Chimneys, Long Eaton, April 2019Chimneys, Long Eaton, April 2019
Olympus OM-20, Zuiko Auto-S 50mm f/1.8, 1/250s, f11 – Foma Retropan 320
Developed in Ilford DDX at 1:4, 10 mins at 20°c.

It’s taken me over a year to finish this roll of Foma Retropan 320 and although the results are better than the roll I shot in Norfolk last year (in the then on loan Fujica GW 690) I still don’t think I’ll be rushing to buy any more…

This roll only had one damaged frame but the lack of contrast and ‘fluffy’ grain still aren’t to my taste. If anyone has any tips for exposing and/or developing this film to get the best out of it then please let me know…